GOOD NEWS
We’re proud of what we do every day here at Colossal Media, but we’re careful to never let that pride become arrogance. Our priority is to keep focused, stay agile, and never trade our grit for grandiosity — do this, and the work should speak for itself.
So far, it has.
“If you live in New York [or] Los Angeles… you might soon notice a series of beautiful, hand-painted billboards pop up in your neighborhood. From a distance they might seem simply like colorful works of art (because they are) but upon closer inspection you’ll notice they are actually ads….”
“There are printed ads, there are video ads, and then there are Colossal Media murals.”
"Colossal's slow, thoughtful, beautiful murals feel less like ads and more like art."
“New York Magazine’s Fall Preview issue was planned with three consecutive covers, and editor-in-chief Adam Moss wanted something ambitious and artistic. Design director Tom Alberty and deputy art director Chris Cristiano had long admired the hand-painted murals done by Colossal Media, and thought to commission them to paint one that would span across the covers.”
“Contrary to popular belief, New York's most spectacular art isn't hanging at the Museum of Modern Art. It adorns the sides of buildings in some of the city's most interesting neighborhoods, much of it painted by one company; the aptly named Colossal Media.”
“The global leader in hand painted outdoor advertising and a trusted creative partner of the world’s largest brands.”
“Colossal’s work is a performance art."
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